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• In Basic Instinct, the antagonist is ridiculously evident from the get-go. And it’s precisely that predictability that ends up misleading–not cheating–the audience. The ending of Murder On The Orient Express was exquisitely designed to break all that was established within the structure. Now, it’s an essential whodunnit piece.
• Basic instinct: a novel Item Preview. DOWNLOAD OPTIONS download 1 file. ENCRYPTED DAISY download. For print-disabled users. 14 day loan required to access EPUB and PDF files. Books to Borrow. Books for People with Print Disabilities. Internet Archive Books. American Libraries.

If you want to write movie screenplays, you need to read movie screenplays – it’s just as essential as batting practice for professional baseball players. Reading in general is important, whether it’s novels, comics, or the backs of cereal boxes—even if you’re not paying attention, your brain is remembering hundreds if not thousands of subtle connections between language and storytelling.

Reading screenplays provides an added benefit—allowing you and your brain to see proper formatting in action. It’s also vital for aspiring screenwriters to see the difference between how scenes play out on the page and how they play out on the screen. Finally, while proper screenwriting adheres to a very rigid format, it’s extremely useful to see how various writers work within those rules and even use them to their advantage. Even if you know exactly what you’re seeing, your brain is actively learning and your subconscious is absorbing more and stronger information with every script you read.

By reading screenplay after screenplay, you will get a sense of how you can write your own.

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Here, then, are ten websites that allow you to download professional movie scripts. Start clicking and start reading today—if not for your own sake, at least do it for your brain’s.

1. IMSDB – Internet Movie Screenplay Database

IMDB has proven a valuable resource for researching movie crews, casts, and trivia. IMSDB is just as useful for those looking for screenplays of all kinds and genres.

2. Go Into the Story

Go Into the Story is the official blog for The Blacklist, the screenwriting community famous for its annual top ten list of unproduced scripts. One useful feature of Go Into the Story is its bank of downloadable movie scripts.

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3. Drew’s Script-o-Rama

The titular Drew has been sharing scripts with curious readers and writers for almost two decades now, and has a vast library from which to choose from. A great benefit of Script-O-Rama is that it holds several drafts of certain movies, an invaluable resource for those who want to see how a Hollywood film evolves in the writing process.

4. Simply Scripts

Simply Scripts has a wide, diverse library that also includes plays and non-English screenplays. It’s also constantly updated, providing scripts to current movies such as Interstellar and Foxcatcher.

5. AwesomeFilm

AwesomeFilm is another resource with dozens of scripts you can download with a single click, alphabetized for easy searching. If you’re looking for a screenplay to read, this site is, well, awesome.

6. Screenplays For You

Screenplays For You is a clean, smooth website with hundreds of scripts. You’re more than likely to find something from the genre you need—its library boasts everything from low-key award-winning dramas like Sideways to action blockbusters like Avatar.

7. The Daily Script

The Daily Script offers a ton of screenplays in a very simple, easy-to-navigate layout. It keeps things homey for the typical screenwriter, even using Courier New as its primary font.

8. The Screenplay Database

The Screenplay Database is another useful resource with a large choice of scripts to choose from. If you’re interested in a certain type of film, the website also allows you to search its library by genre, to better allow you to window shop and find something you didn’t even know you were looking for.

9. The Script Lab

The Script Lab comes in handy if you’re looking for more recent screenplays. Its front page divides its library into the three most recent years of releases, so if there’s something from 2014 you’d like, for instance Birdman or Boyhood, this is the website for you.

10. Movie Scripts and Screenplays

You’ve got to love the straightforward title. Movie Scripts and Screenplays gives you exactly what it says, with a long list of manuscripts that you can also directly find with its search function.

All writers know that reading great material is an essential part of honing and building your craft. But if you’re ready to take the next step in developing your skills as a screenwriter with the most hands-on, intensive training in the world, check out NYFA’s screenwriting programs. Looking for a long-distance way to take your writing to the next level? Check out NYFA’s online screenwriting program options.

By David Trottier

There has been a lot of talk lately about the new spec formatting style. Throughout the 1990s, there has been a movement toward 'lean and clean' screenwriting: Shorter screenplays, shorter paragraphs, shorter speeches, more white space and the omission of technical instructions. It should come as no surprise that this gradual evolution continues to refine spec style. Let's take a quick look at where things stand at this moment in time.

The Technical Stuff
Let's start with what's forbidden. Do not write CONTINUED at the top and bottom of each page. Do not write 'continuing' as a parenthetical when a character continues his/her dialogue after a paragraph of narrative description. Do not number your scenes. I realize this may mean disabling your software; that's because much of the available software is designed to format shooting scripts, while you (most likely) are writing a spec script.

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Avoid camera directions: ANGLE ON, CLOSE ON, POV, PAN, DOLLY WITH, TRUCK, ANOTHER ANGLE, ZOOM, PULL BACK TO REVEAL, ZIP PAN, CRANE SHOT, ECU, WE SEE, and so on. Avoid editing directions: CUT TO, DISSOLVE TO, IRIS, WIPE. Notice that I use the word avoid. Avoid means to only use a technical direction when absolutely necessary to move the story forward. That's about two or three times in a screenplay. Remember, you are writing the story, not directing the movie.

More
In the past, when dialogue continued from the bottom of one page to the top of the next, you typed MORE (in parenthesis) below the dialogue, and then typed 'cont'd' (in parenthesis) next to the character's name at the top of the next page. You still do. But only when you absolutely have to. Ideally, your dialogue should be so lean that you don't have to use MORE at all. Just move the entire dialogue block to the top of the next page or cheat a little on your bottom margin to get that last line in at the bottom of the page. (Warning: Do not cheat on your left and right script margins and dialogue margins.)

Parentheticals
You have read that you should use actor's instructions (parentheticals) sparingly, that you should not direct the actor in saying his/her lines unless the subtext is unclear. You've also read that since executives only read dialogue or just a few pages, that you should include some action as a parenthetical to help improve the read. There's truth in both statements. Let's be honest, executives are getting younger, often lack a creative background and are asked to read more. The result is they read less. But readers (professional story analysts) read everything, after which they make their recommendation to the executive or producer. It's that recommendation that places your script in the running for a deal.

In view of that, continue to use parentheticals sparingly, but consider taking occasional opportunities to add a line of action (about 3-4 words) as a parenthetical if doing so adds movement to the scene. And don't be afraid to write a brief description. Film is still a primarily visual medium.

How Lean is Lean?
Try to keep your screenplay within 110 pages, about 100 pages for a comedy and 105 for a drama. Paragraphs of narrative description should not exceed four lines. As a general rule, each paragraph should focus on an image, action or story beat. Thus, paragraphs will often be only a line or two in length. Dialogue lines should not exceed 3.2 inches in width. Ideally, dialogue should consist of one or two lines, maybe three. (Yes, there are exceptions to everything.)

Author's Intrusion
Generally, you should stay out of the script. Shane Black made 'author's intrusion' hip. Here's just one example from page 91 of 'The Last Boy Scout': 'Remember Jimmy's friend HENRY, who we met briefly near the opening of the film? Of course you do, you're a highly paid reader or development executive.' Shane Black can get away with that; you and I can't. But having a personal writing style can add a lot to the read. I loved reading 'Romancing the Stone.' The first line begins, 'A size 16-EE boot kicks through the door....' I came away thinking that Diane Thomas had a lot of fun writing that story. I had a lot of fun reading it.

What Can I Use?
Use the MONTAGE, the SERIES OF SHOTS, the INSERT, the INTERCUT, the FLASHBACK (sparingly) and SUPERs. Use these for dramatic or comedic purposes (or for clarity or ease of reading), not to dress up the script. I have a copy of the original 'Basic Instinct' spec script by Joe Eszterhas -- the one he sold for $3 million. There is not a single DISSOLVE, CUT TO, ANGLE ON, SERIES OF SHOTS, MONTAGE or fancy technique in his entire 107-page script. Only scene headings (slug lines), description and dialogue -- that's it. His focus is on telling a story through clear, lean, unencumbered writing.

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The Bottom Line
Keep in mind that your audience is the reader of your script (not movie-goers) and that he/she is weary of reading scripts. So don't encumber his/her read with technical directions. Just let the story flow like a river. That river will flow if you use visual, clear and concrete language that directs the eye without directing the camera and touches the heart without dulling the senses.

Finally, don't get paranoid about formatting rules; the story is the thing. Readers don't care if you indent 10 spaces or 12 spaces for dialogue, just so long as it looks 'about right,' has a clean appearance, and (most importantly) reads well. Hopefully, your lean script will earn you a fat check.

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Meet the Author: David Trottier

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